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At 42, Carolina Josefina Pacanins y Niño was a lady in her home. His family was part of the social circle of Caracas. Her marriage, after parting with her first husband, Guillermo Behrens Tello, a beautiful life in Caracas, Reinaldo Herrera, opened her way into the world of fashion. Herrera had achieved an influential position as a Vanity Fair PR writer alongside the triumphant publisher Tina Brown.
Carolina liked fashion. As a child she had been shocked when she attended a Balenciaga show in New York and her 17-year-old visit to Andy Warhol’s workshop where the countercultural revolution was brewing. As she claimed, the eye of a designer is not made in a university but is born with it.
His relationship with Herrera, who had been the fiance of one of Aristotle Onassis’ wives, opened the great halls of New York to him. The dinners with the Agnellis, the billionaires owners of Fiat, with the Rothschild jewelers, activated a social life that would only be the springboard for what destiny would bring: being one of the most powerful women in the fashion world.
It was Diana Vreeland, the legendary editor of Harper’s Bazaar, who first saw the sketches she was making on a silky yellow diary. Herrera told her that her biggest dream was to make prints for fabrics but she, as she told in several interviews, replied “Don’t be boring, if you want to get into this, create a fashion collection”. At first they thought he would be bored, that it would be nothing more than the charm of a married lady and a millionaire, too expensive a form of DIY. But Carolina Herrera paved the way in the stagnant eighties for many Latin American entrepreneurs who dreamed of building an empire. Reinaldo did not hesitate to support her not only with ideas but also with contacts. The biggest numbers in New York were on his agenda
In 1982 she moved permanently to New York with her husband and their four children. That year he founded Carolina Herrera Ltda, a brand that already has 87 stores in 103 countries around the world. Her first big job was making the wedding dress for Caroline Kennedy, JFK’s eldest daughter, the closest thing to American royalty. In 1986 she married the designer and painter Edwin Schlossberg. The bride’s dress caused a sensation.
Carolina Herrera’s dress launched Carolina Herrera, who was already friends with Jackie Kennedy, to stardom
Since 1986 Carolina Herrera has presented her collections twice a year. Her CH brand has been a hallmark since 2001. However, for many of her compatriots who fled the country repudiating the Chavista regime, the designer’s refusal to dress Melania Trump, after three requests, caused a national aversion to her name. . . In addition, her white dress, in homage to the North American suffragettes, worn by the newly elected vice president Kamala Harris, put her in the eye of the hurricane of the Chavista diaspora. The women dressed in white were a symbol of the fight against Trump, as well as evoking the first women who made their right to vote effective, as well as the women who marched in Washington in 1987 supporting the equal rights amendment.
Trump is for most Venezuelans exiled to the United States a hero who can defeat Nicolás Maduro, not for her. That’s why Herrera, at 81, and about to retire, prefers to put up with the insults of his countrymen rather than dressing someone with whom he has no empathy. And his clear-cut positions are not hidden as the rejection of women who, after fifty, continue to wear bikinis and long hair. Her elegance and good taste with great classic simplicity is the hallmark of her house, which was exhibited with the symbolic white tailor of Kamala Harris.
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