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Arthur Falls, Marc Glimcher, Andy Milenius, Dan Long, Emmanuel Aidoo, Nanne Dekking to & nbsp;The Art of Blockchains conference.Madison McGaw / BFA.com
This year the Miami Art Basel Week has become a technological mecca where most of the contemporary art fairs, including the main Art Basel fair, hosted at least one conference or round table focused on the blockchain.
The largest of over a dozen events was The art of blockchain, organized by the collector and entrepreneur Adam Lindemann in collaboration with the blockblock Artblx (a startup on which Lindemann has invested). The conference boasted the training of some of the most influential actors in the art community, including Lisa Phillips, the New Museum director and Serpentine Galleries artistic director Hans Ulrich Obrist.
Well attended and generally optimistic, this event was particularly unique because of the group of people that gathered. With so many museum directors and global art fairs, dealers, curators and first-rate collectors, the conference opened a conversation about the ample effect of blockchain technology on the art market.
Another noteworthy event was a panel organized by the attorney Katya Fisher at the Scope Art Fair. Hosted by MasterCard, the discussion focused on opportunities for the blockchain to simplify and bring transparency to the transactional side of the art market. Vanessa Grellet, executive director of ConsenSys, attended the Lindemann conference and the Scope panel. He expressed hope that the blockchain will become a useful solution for the "lack of liquidity and investment options for art buyers, as well as minimal monetization opportunities for artists".
The Art Basel fair hosted its own talk titled What artistic problems can solve Blockchain? The panel covered a series of topics including the digital art market. Matt Hall, the co-founder of CryptoPunks, shared that the most exciting thing for him is "the possibility of [blockchain] become a model for the ownership of digital art & # 39 ;.
Nada Art Fair has organized a series of artistic panels and blockchains supported by the art-tech startup, Snark.art. The series focused on the blockchain as an artistic medium and involved several artists who have experimented on the field including Hayden Dunham, Simon Lee, Siebren Versteeg and Eve Sussman. Fanny Lakoubay, CMO of Snark.art, shared that blockchain technology has enabled the current digital art market to grow, suggesting that "bringing established artists to the field will get more attention from the public outside of the 39; blockchain ecosystem ".
All of these events inevitably have a real impact on the wider market adoption and reflect the growing interest in art, technology and digital art. In & nbsp; order for & nbsp; blockchain to become part of the industry infrastructure, however, the art market ought to & nbsp; see & nbsp; new business models and solutions that are easy to implement and adopt & nbsp; in daily operations & nbsp;.
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Arthur Falls, Marc Glimcher, Andy Milenius, Dan Long, Emmanuel Aidoo, Nanne Dekking at The Art of Blockchains conference.Madison McGaw / BFA.com
This year the Miami Art Basel Week has become a technological mecca where most of the contemporary art fairs, including the main Art Basel fair, hosted at least one conference or round table focused on the blockchain.
The largest of over a dozen events was The art of blockchain, organized by the collector and entrepreneur Adam Lindemann in collaboration with the blockblock Artblx (a startup on which Lindemann has invested). The conference boasted the training of some of the most influential actors in the art community, including Lisa Phillips, the New Museum director and Serpentine Galleries artistic director Hans Ulrich Obrist.
Well attended and generally optimistic, this event was particularly unique because of the group of people that gathered. With so many museum directors and global art fairs, dealers, curators and first-rate collectors, the conference opened a conversation about the ample effect of blockchain technology on the art market.
Another noteworthy event was a panel organized by the attorney Katya Fisher at the Scope Art Fair. Hosted by MasterCard, the discussion focused on opportunities for the blockchain to simplify and bring transparency to the transactional side of the art market. Vanessa Grellet, executive director of ConsenSys, attended the Lindemann conference and the Scope panel. He expressed hope that the blockchain will become a useful solution for the "lack of liquidity and investment options for art buyers, as well as minimal monetization opportunities for artists".
The Art Basel fair hosted its own talk titled What artistic problems can solve Blockchain? The panel covered a series of topics including the digital art market. Matt Hall, the co-founder of CryptoPunks, shared that the most exciting thing for him is "the possibility of [blockchain] become a model for the ownership of digital art & # 39 ;.
Nada Art Fair has organized a series of artistic panels and blockchains supported by the art-tech startup, Snark.art. The series focused on the blockchain as an artistic medium and involved several artists who have experimented on the field including Hayden Dunham, Simon Lee, Siebren Versteeg and Eve Sussman. Fanny Lakoubay, CMO of Snark.art, shared that blockchain technology has allowed the digital art market to grow, suggesting that "bringing on the field the established artists will get more attention from the public outside the 39; blockchain ecosystem ".
All of these events inevitably have a real impact on the wider market adoption and reflect the growing interest in art, technology and digital art. In order for the blockchain to become part of the industry's infrastructure, however, the art market must see new business models and solutions that are easy to implement and adopt in day-to-day operations.
