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(MENAFN – Youm7) The late artist Ahmed Zaki said that Egyptian cinema has formed the consciousness of the Arab world, and reaches the global level when it presents our local issues with all sincerity, and that this honesty requires technology, adding: “We have an impressive force of artists, directors, writers, actors and creators, no It has energy for any country in the world, but they have the technology and they have the money,
Zaki explained, in response to an observer during an old TV interview on the “Right of the Masses” show presented by the late Faryal Saleh: “We have creative people, but there is not enough money, there is not enough production or technology, but we have a creative force that has formed the consciousness of the Arab world. 100 years. “
Today, Wednesday, is the anniversary of the birth of the late great protagonist Ahmed Zaki, one of the greatest talents in the history of Arab cinema, known for his great talent and his ability to brilliantly impersonate characters, also famous for the intensity of the his roles, he was a likeable and creative person, as described by his fellow artists, who called him the Emperor of Art in Egypt and the Arab world, he presented many roles that are still well etched in the public mind, including the ‘lawyer, goalkeeper, drug dealer and many roles that have expressed most of the personalities of the company
Ahmed Zaki was born in Zagazig on November 18, 1949, graduated from the Zagazig Industrial School in 1967, then went to Cairo to study film and graduated from the Cairo Institute of Dramatic Art in 1974.
His journey to stardom began when he starred in the comedy “Children of Kabir” in 1978, then moved on to television acting, playing the role of the dean of Arabic literature, Taha Hussein, in the Al-Ayyam series.
His first film was “Sons of Silence” in 1974. By 1980 he had represented six films, including “Alexandria Why?” It is directed by the brilliant director Youssef Chahine and Ahmed’s films are rated in more than 60 films over the course of his life.
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