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In an interview with Apple Music DJ Zane Lowe this week, Miley Cyrus described what has happened in her life over the past few years as a “Cocktail of Chaos”. This is, of course, a fitting image for a pop star whose best-known appearance was to sit naked on a wrecking ball and postulate aloud: “I walked in like a wrecking ball.”
What happened? In 2018, her home in Malibu fell victim to the California bushfires and in the summer of 2019, longtime lover Liam Hemsworth filed for divorce after just eight months of marriage. Former teen idol Cyrus, who rose to fame as a singer on the TV series “Hannah Montana” and has since tried to chase away the image of the Disney good girl with a demonstrative rock’n’roll attitude, seemed to take control of her losing life. .
But Cyrus, apparently trusting himself to have iconic status, didn’t want to join the infamous “27 Club” of the first stumbled and deceased pop stars like Jimi Hendrix, Kurt Cobain or Amy Winehouse, he said in the interview. In June, he proudly announced that he hadn’t touched alcohol in six months. Shortly thereafter, he reported a relapse into crown blockade, but also announced his new album “Plastic Hearts”, which has now been released just days after his 28th birthday.
For her comeback, Cyrus introduces herself as a pop pro eager to survive, adapting to the current hit parade trend with a mullet hairstyle and shameless 80s quotes. Others, like duet partner Dua Lipa, are still riding the current vogue disco, Cyrus anticipates a renaissance of glittering designer trash after hip-hop tourism (»Bangerz«, 2013) and country party (»Younger Now« , 2017). Glampops. Rock veterans Joan Jett and Billy Idol appear as guests on their album. Cyrus himself sometimes sounds like Bonnie Tyler with her now rough and mature voice, it’s really funny.
The belated Miley Minions won’t worry, but older pop consumers are getting louder Embarrassing despair that Cyrus and his current pool of songwriters didn’t stop with the introduction of the powerful ballad “Angels Like You” in “In My Life” by the Beatles. In the chorus of “Midnight Sky” “Self Control” by Laura Branigan and the current ubiquitous “In The Air Tonight” are condensed to maximum catchphronism, “Prisoner”, the Dua-Lipa collaboration, steals the hook from Olivia Newton-John’s ” Physical “. Even The Weeknd probably wouldn’t have dared to do that.
The production, by Mark Ronson and Louis Bell among others, is on the one hand aseptic, on the other hand so competently programmed at full volume that Cyrus should have a whole series of new radio hits. His lyrics fluctuate between the self-pity of a hangover (“WTF Do I Know”, “High”) and the provocative heroization of their own fucking self (“Hate Me”, “Bad Karma”). You can do it, Cyrus is not the first.
Inedible, however, is the last flirtatious song titled “Golden G-String”, in which Miley describes herself as a victim of patriarchy (“Old men have all their cards in hand and don’t play gin”), which she calls crazy- frivolous scandalous spaghetti maligned, but she did everything to make herself loved: “I did everything to make you love me and to feel alive”. This is accompanied by a sugary waltz, as befits a tipsy hymn from his own drama at the end of an epic party. It’s all as fascinating as whiskey-cola. But somehow also nice. (6.5)
Listened briefly:
Ducks on the drug – »Stabil labil«
It’s a shame that Schnipo Schranke are history, but the new band of singer Daniela Reis with her husband Ente Schulz is also fantastic: it’s neo-NDW electro and Billo-Geschrammel, from Mowgli and Balu, from the ecstasy of the shit of couple – so sweet and painful, so disarming and unpainted as with the Audiolith colleagues of Sorry 3000. “Give me feeling” is the success of this autumn depression. (8.5)
Shygirl – »Alias«
“She came to fuck,” says one of four cartoon avatars Blane Muise invented for her feminist pop character Shygirl on the slippery track “Slime”. The Londoner, whose first EP fascinates with dark club music, comes from the Nuxxe label environment, where everything is “post-“: post-grime, post-trap, post-gender. But not after sex! The Berghain variant of »Wap«.
Tom Liwa – “The One My Friend Knew”
The great Duisburg singer-songwriter Tom Liwa, once the head of flower porn, has often wanted to leave, bothered by the music industry. Fortunately, Liwa, now 59, continued to write “normal songs” by herself. His 27th album contains some of the saddest and most beautiful: they’re actually dying, but they’re as warm as a friend’s hug. (8.0) (via Bandcamp)
The Smashing Pumpkins – »Cyr«
New synth sound despite the return of guitarist James Iha: 25 years after their rock relevance, the Pumpkins remain flexible. The band around bald demon Billy Corgan hasn’t sounded so concise for a long time: “Ramona” is one of a surprising number of pop hits, but “Wyttch” suffers from the old bomb, better not to listen to the lyrics – and of course 20 songs they are excessive again. (6.0)
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