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A drawing by Leonardo Da Vinci recently discovered in a private collection in Italy would be the true face of Christ, and therefore, the controversial “Salvator Mundi” painting, the work attributed to the Renaissance genius and the most expensive in history, would be a false.
The scholar Annalisa Di Maria, member of the committee of experts in Art and Literature of the Unesco Center in Florence, reached this conclusion, who discovered in a private collection in Lecco, Genoa, a drawing made with the so-called “sanguine” technique, used Much of Da Vinci and representing the face of Christ. It is, without doubt, the Italian master. “This is the real” Salvator Mundi “. The face represented is placed in three quarters, like most of the subjects painted by the master Da Vinci, that is, in motion and with an impressive dynamism,” Di Maria explained to the Italian media.
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The drawing represents Christ in the center of the bust and with his hand raised, in the same gesture as the painting “Salvator Mundi”, sold at auction in Abu Dhabi. With this study of about 60 pages, the expert on the work of Leonardo Da Vinci concludes that the “Salvator Mundi” attributed to the Tuscan genius, and sold in November 2017 for the record amount of 450 million dollars (379.5 million euros ), it would not have been done by him. Da Vinci would never have painted it like this, he says.
Private collectors made the work available for laboratory studies, analysis of the old sheet of paper and photographic examinations, and it was discovered that “the sheet used for this sanguine can be dated to around the sixteenth century,” he added. In an interview with the newspaper “La Stampa”, the student explained that when she saw the drawing she was “out of breath”. “It is a work of incredible refinement and immediately struck me as a revelation. I was very moved because I immediately understood that it was made by a superior artist and contained the true expression of the pure dynamism of the hand of the Tuscan genius. A work probably lost, like most of his scattered codes, who knows where ”.
Furthermore, this discovery increased his belief that the “Salvator Mundi” sold to the Dubai Ministry of Culture for $ 450 million was a fake. “From the work, before the restoration, it is clearly evident the great distance of the line, the details and the technique used in this painting, which are not attributable to the hand of Leonardo Da Vinci, and observing the work after the restoration we noticed an imprint very different from the original, a too Leonardian trait that it did not have before ”, he clarified. The research study will be presented shortly in a conference in Florence, as soon as the emergency is over and it is possible to resume the events, as declared by the Unesco center in Florence.
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