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This documentary shows “how the most famous pastry shop in the Venezuelan capital works, behind the camera of a company whose operational protocol is just not having one”, they explain.
With the voice of its protagonists, this piece tells us about “the bittersweet family dynamics of the Kerese, mainly Evelia and her three children, Pablo, Andrés and Alejandro, who have made this family business such a great success, not only because it reaches their 50 years but because it has become synonymous with Caracas.
This is a big bet from the Pa ‘Los Panas production company, directed by Venezuelan director Ignacio Castillo Cottin, known for his outstanding work in films. The Inca (2016) and The Black Madonna (2008).
Castillo Cottin explains that initially his motivation for making this piece was purely emotional. “Living in Venezuela, staying here voluntarily, is something special today. Bringing people to work in Venezuela, invest in Venezuela and pigeonhole and visualize oneself in the medium or long term in Venezuela is something difficult to find because in my generation it is easier to see who wants to leave than who wants to stay “.
It indicates that this has generated “an emotional connection with the people who are in Venezuela on the same page as me, who work in and for the country and who cannot be seen far from here”.
The director makes sure to touch on universal themes. “If you are lucky enough to know firsthand what Danube is, it will be a discovery, because you will really know what this pastry is and your perception will change dramatically,” he explains.
Although 2020 has not been the best year for many and the film industry has not escaped this situation, it has also been a year full of opportunities for those who have been able to reinvent themselves.
Both scenarios prompted Pa ‘Los Panas to “continue with the show” and not stop the premiere of The Danube, but to exit through the Cultural Trasnocho platform.
“I think it will be an injection into our identity from a different perspective, from a Venezuela we don’t see. The documentary can serve just as a recognition for the people who are still in the country and also for those who are not, “explains Ignacio Castillo Cottin.
“You will be able to see a picture of Venezuela that exists, regardless of the crisis, which is what is pushing, which is resisting and which continues to work every day with the dream of seeing a better future. This is something that those who live in Venezuela and that those who he is going to enjoy it at a time like this, ”expands Castillo Cottin.
The director also explains that the month of the premiere could not be another. “We had to launch it in December, because La Danubio is December, it’s bread with ham, it was time. He was supposed to release it now or next year in the same month. But the only reason to wait a year was to be able to be in theaters, and of this there is no certainty.
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